Wadsworth Atheneum Museum of Art Acquires Rare 14th-Century Italian Painting

by Admin
Wadsworth Atheneum Museum of Art Acquires Rare 14th-Century Italian Painting


Wadsworth Atheneum’s latest acquisition, a stunning 14th-century Italian painting titled the Rasini Crucifixion, is reshaping the art scene in Hartford.

BY ARTCENTRON NEWS

HARTFORD, CT – The Wadsworth Atheneum Museum of Art has added the Rasini Crucifixion (c. 1350) to its collection. This rare 14th-century Italian painting is hailed as an important work in northern Italian art, reflecting the transformative influence of Giotto and his followers. While the artist’s identity remains a mystery, Veronese painter Altichiero is a strong candidate for attribution.

Dr. Keith Christiansen, Curator Emeritus at the Metropolitan Museum of Art, emphasized the painting’s importance. “The Rasini Crucifixion is one of the most significant trecento works to enter the market in recent decades,” he stated. “Despite its modest size, it embodies the narrative depth and emotional resonance of a grand fresco.”

Rasini Crucifixion: Innovative Portrayal of Christ on the Cross

The artist’s innovative portrayal of Christ on the cross showcases remarkable sculptural qualities, an abstract landscape, and a dynamic composition. Christ stands isolated against a shimmering gold background, while below, figures express a range of emotions. The artist’s unique use of foreshortened haloes adds depth, emphasizing the dramatic storytelling inherent in the piece.

“This work is a stunning addition to our collection,” said Dr. Matthew Hargraves, Director of the Wadsworth Atheneum. “It comes in excellent condition and has a notable provenance, tracing back to the heirs of Giovanni Rasini. We are incredibly fortunate to possess such an important early Italian painting.”

Significance of the Rare 14th-Century Italian Masterpiece

The Rasini Crucifixion is the first trecento Italian work acquired by the museum since 1951, when it purchased Niccolò di Buonaccorso’s Annunciation. Nicholas Hall, director of an Old Master gallery, remarked on its significance: “This multifigural narrative carries immense gravitas and drama. The Wadsworth Atheneum’s recent leadership has firmly established it as a key player in acquiring Early Modern European art.”

In recognition of his long-standing service, the Wadsworth Atheneum’s Board of Trustees has dedicated the painting to former President David W. Dangremond. Since joining the Board in 1992, Dangremond has played a crucial role in the museum’s development, including overseeing a major renovation and enhancing its collections.

Founded in 1842, the Wadsworth Atheneum Museum of Art boasts nearly 50,000 works spanning 5,000 years, featuring European art from antiquity to the present, along with American masterpieces. Its five distinct buildings showcase various architectural styles.

This acquisition not only enriches the museum’s collection but also highlights its ongoing commitment to preserving and promoting significant works of art in Hartford and beyond.

The Master of the Rasini Crucifixion (active Lombardy, mid-14th century) Altichiero? (Italian, 1330-before 1393), The Rasini Crucifixion, c. 1350. Tempera on Panel. 52 x 33 cm (20.5 x 13 in). The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund. Dedicated to David W. Dangremond in gratitude for his decades of devoted service to the Wadsworth Atheneum as a Trustee, Curatorial Committee Chair, and President of the Board of Trustees, 2024.22.1.

 

 


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