33
Nicolas Tennant in Three Kingdoms by Simon Stephens at Lyric Hammersmith, London (2012) – the play had its fortunes turned around by blog reviews after being panned by most critics. Photo: Tristram Kenton
Idolising the ‘golden generation’ of theatre critics from the 1950s means we are overlooking the qualities of more recent reviewers, says Andrzej Lukowski. Could the next golden generation be closer than we think?
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.
